The Myth of Progress
Caitriona’s art practice is sculptural and is informed by her studies in architecture.She employs a variety of methods and media including performance, casting, film, installation and drawing. Her work is closely connected with public space in both an urban and rural context.
This work emerged from the study of Finnish philosopher Georg Henicks Von Wright, The Myth of Progress (1993) which questions whether our apparent material and technological progress can really be considered progress. This work also is influenced by the artist Klara Lidens work, of the same title.
This piece was filmed at Ogonnelloe Hand Ball Alley in Co.Clare. This handball alley is an example of a uniquely Irish architecture. Handball alleys such as this one have a rich history as public space, often hosting dances, sporting events and political meetings. Many of these structures which were once valued by rural communities have now been demolished or have fallen into disrepair. This makes them a relevant place to question the nature of progress and what it might mean for rural communities.
Caitriona Moloney is based in Co.Clare, Ireland.
